This weekend I'm headed to the Rendering the Visible II: Figure Conference, organized by Moving Image Studies at Georgia State University in Atlanta, where I'm presenting a paper called The Color of Absence in a panel called Phantoms. This paper is derived from my research for Vanishing Points, and focuses on two brilliant film works of invisibility: Guy Debord's Hurlements en faveur de Sade and Nam June Paik's Zen for Film.